Tuesday, October 14, 2014

Robert Frost as a nature poet.



Name: Drashti V. Dave 
Submitted to: Smt. S. B. Gardi Department of English
Maharaja Krisnkumarsinhji Bhavnagar University

Assignment Sub.: Role of Nature in Frost’s poems
Roll no:    06                             Year: 2014
Paper no: 10 – The American Literature
Sem: 3             MA. Part- 2
                               

Role of Nature in Frost’s poems
Introduction:  Robert Frost was the leading modern American poet of nature and rural life. Most of his poems are upon natural element. He was very much interested in natural things; he found beauty in common place.
Many of his poems have a New England setting and deal with the theme of man’s relationship with nature. (htt)

(Robert Frost)
Frost’s verse was lyrical; he was often considered a dramatic poet. One of his most admired poems “The Mending Wall” describes the conflict that arises between the poem’s narrator and his neighbor over rebuilding a wall that separates their farms.
The neighbor holds the traditional opinion that; “Good fences make good neighbors” but the narrator believes that walls are unnecessary and unnatural between people who should trust each other. So nature was the dominant subject of his poetry.
How he uses nature: His poetry and subject of poetry talk about man’s existence in the Natural world. His attitude towards Nature is one of armed and amicable true and mutual respect.
There is almost nothing of the mystic in Frost. He does not seek in Nature either a sense of oneness with all created things or union with God. There is nothing platonic in his view of life.
Frost believes that man should live in harmony with nature and not go against nature or natural process. He uses simple things and worlds in his poems. In our day to day life we shown so many natural things which cannot avoid by us and this things frost use in his poetry with have very deep and symbolic meaning.
Importance of Nature in Man’s life:  So many literary writers’ uses Nature is their work. William words worth is one of them. He uses so many natural elements in his poetry. Nature is very important figure in human’s life. It helps us many ways. For examples:-Trees, water, seasons… that all are natural things and because of them we easily survive.
Nature is everything that was not made by man.
(contradictory nature) 







(Contradiction of nature)
Nature is permanent, human being cannot change nature. Ward nature has very broad meaning. It changes automatically and it changes every day. In the works of art, nature generally functions as background of place and time, obviously literature has considered as important things in environment. So Nature is important in human’s life and interesting subject of literary writer’s also.
 Major Theme of Frost’s poetry:  1)Nature:







 Nature is first and most important characteristic of Frost’s poem. Frost places a great deal of importance on Nature in all of his collections. Because of the time he spent in New England, the majority of pastoral scenes that he describes are inspired by specific locations in New England. However, Frost does not limit himself to stereotypical pastoral themes such as sheep and shepherds. Instead, he focuses on the dramatic struggles that occur within the natural world, such as the conflict of the changing of seasons (as in "After Apple-Picking") and the destructive side of nature (as in "Once by the Pacific"). Frost also presents the natural world as one that inspires deep metaphysical thought in the individuals who are exposed to it (as in "Birches" and "The Sound of Trees"). For Frost, Nature is not simply a background for poetry, but rather a central character in his works.
2) Everyday Life
Frost is very interested in the activities of everyday life, because it is this side of humanity that is the most "real" to him. Even the most basic act in a normal day can have numerous hidden meanings that need only to be explored by a poetic mind. For example, in the poem "Mowing," the simple act of mowing hay with a scythe is transformed into a discussion of the value of hard work and the traditions of the New England courtyard.
3) Communication
Communication or the lack thereof, appears as a significant theme is several of Frost's poems, as Frost presents it as the only possible escape from isolation and despair. Unfortunately, Frost also makes it clear that communication is extremely difficult to achieve. For example, in "Home Burial," Frost describes two terrible events: the death of a child and the destruction of a marriage. The death of the child is tragic, but inability of the husband and wife to communicate with each other and express their grief about the loss is what ultimately destroys the marriage. Frost highlights this inability to communicate by writing the poem in free verse dialogue; each character speaks clearly to the reader, but neither is able to understand the other.
4) Isolation of the Individual
This theme is closely related to the theme of communication. The majority of the characters in Frost's poems are isolated in one way or another. Even the characters that show no sign of depression or loneliness, such as the narrators in "The Sound of Trees" or "Fire and Ice," are still presented as detached from the rest of society, isolated because of their unique perspective.
5) Rural Life versus Urban Life
This theme relates to Frost's interest in Nature and everyday life. Frost's experience growing up in New England exposed him to a particular way of life that seemed less complicated and yet more meaningful than the life of a city dweller. Frost has more opportunities to find metaphysical meaning in everyday tasks and explore the relationship between mankind and nature through the glimpses of rural life and farming communities that he expresses in his poetry.
These are major themes of his poetry we are shown this type of characteristic in many of his poems. (htt3)
Frost uses nature to express his views as well as to make his poetry interesting.
First in the poem ‘Stopping by woods on the snowy evening’ in this poem there is a lot of nature expressed. Title of the poem is woods are natural thing first line of the poem; whose woods these are I think I know.
 Throughout the poem he continuously talk about woods and its beauty last stanza is very symbolic, in that he uses contradictionary nature means combination of nature with fear because nature sometimes harmful also.
The woods are lovely, dark and deep, But I have promises to keep,
And miles to go before I sleep, And miles to go before I sleep





(Image of woods, it looks beautiful but has deepness and darkness)
At the last stanza very beautifully describe woods as lovely, dark and deep. The darkness of the woods is an idea, poet uses last line in twice in the poem, means he emphasizing a connection between beauty and mystery.
Robert Frost’s chief concern is with man. The focus in his poetry is a man’s position and attitude and especially on his feelings. Frost reveals a good deal about his conception of universe and external reality in his poetry. In several poems, Frost indicates that man fail to understand nature and its relationship with man.
Most of his poems use nature imagery and devices. Taking nature as a background, he usually begins a poem with an observation of something in nature and then moves toward a connection to some human situation or concern. His treatment of nature is different from other nature poets: he is neither a transcendentalist nor a pantheist. Therefore, his use of nature is the single most misunderstood element of his poetry. Frost himself said over and over,
"I am not a nature poet. There is almost always a person in my poems."
(frostfriends.org)

The elements and settings of Frost’s poetry are natural.
In many of his poems, Frost uses nature as metaphor. He observes something in nature and says this is like that. He leads you to make a connection, but never forces it on the reader. Frost (1946) himself writes about his use of metaphor,
“There are many other things I have found myself saying about poetry, but the chiefs of these is that it is metaphor, saying one thing and meaning another, saying one thing in terms of another, the pleasure of ulteriority.”

Frost shows that the indifferent nature could be both generous and malicious to the human world. Nature exists outside the Self, is formed there and has existence beyond the idealistic notion that thought determines reality.”
Actually Frost’s nature is different from Wordsworth who sees nature as
          “The anchor of my purest thoughts, the nurse,
          The guide, the guardian of my heart, and soul                 
           Of all my moral being.” (TINTERN ABBEY, 109-111) (htt1)

Frost uses a realistic technique in his poems: art mirrors reality.  As such, Frost synthesizes the human and the natural through language, imagination, and metaphor.
In "On Frost's Realistic Technique," Amy Lowell says that Frost's poetry is photographic, that it captures characters and landscapes, freezes them, burns them into memory--again bound by what he has seen.  Amy Lowell uses natural imagery herself to describe Frost:
[Frost's] imagination is bounded by what he has seems, he is confined within the limits of experience (or at least what might have been his experience) and bent all one way like the windblown trees of New England hillsides. (enotes)
His poems like; ‘Nothing Gold can stay’ and ‘Design’ themes are man finds himself isolated and alienated and cut off from other man of the universe, in that poems he talked about man’s position is permanently difficult in the universe.
Frost seems to be grappling with the question of how we balance such symbols of death with a loving and ultimately caring deity. In the second part of the poem Frost ask series of questions.
First line of the poem is; I found a dimpled spider, fat and white,
             












 In the second stanza Frost beautifully describe that:
               What had that flower to do with being white....
It shows beauty with danger or mystery. Beauty of whiteness.


     (Here we are shown that how Frost uses natural elements like; white spider and cobweb in this poem)
It is very symbolic line throughout the poem Frost uses lots of symbols. The flower, the spider and the moth forces us to confront the central issues of the poem.
In Robert Frost’s poem “After apple-picking”, the reader come to know that old man who has worked harvesting apples his entire life. In the smell of the apple blossoms and the beauty of the russet color of the apple, the reader realizes the old man’s of his apple orchard.
In his poem “Fire and Ice”,
             






(Binary opposition: both are equally important for human being)
Here he uses contradictory word. Fire-with the emotion of desire and ice with hate. The poem decribes a fictional debate between people who say that the world will end in fire and people who say it will end in ice. The debate is highly symbolic.
Some of his poems are about human relation. “Mending Wall”, “Home-Burial”… is in this category.
“Mending Wall”:



First line of the poem is; ‘Something there is that doesn’t love a wall… means here poet talk about concrete  thing that is wall, may be here wall is a symbol of two neighbor and it is also connected with two country. The ritual of wall maintenance highlights the dual and complementary nature of human society. Poet says twice… that something there is that doesn’t love a wall… there is some intent and value in wall reeking, and there is some powerful tendency toward this destruction. So many questions arises in mind while reading this poem here a discussion of the construction-disruption.
Creation is a positive act- a mending or –a building words reflects creativity. We come to know so many meanings of wall. Wall-boundaries or construction or destruction. The task of mending the wall is difficult and because nothing in their respective properties poses a threat to the others, speaker tries to continue to fix the wall.
“The Gift Outright” is different from all; it serves as history, and political statement. The title gains complexity throughout the poem. Frost talk about nation in this poem poet use the word ‘She’ for land. The subject of the poem is American history. In the beginning of life in America, the land and labored to survive.
“Home Burial” is one of the longest poems of Frost’s it is also a poem about human relation. Here poet talked about married couples fighting after their baby dies. Title of the poem suggests that someone’s burial, poet mainly focus on tragic side of human nature. Two tragedies are shown here death of a child and a death of a marriage.
            Poet mainly focus on the word ‘death’ he indicates that death plays a vital role in man’s life. In John Donne’s word “Death is inevitable truth of life.”  It is natural process and Frost also believes in that and here he wrote on this theme. Frost shows how such a traumatic event strains a marriage. Such a situation in poem is very symbolic, Frost beautifully describe whole event in beautiful words, some situations like standing on the upstairs is shows mentality of human mind.
Relationship between man and nature: Robert Frost uses his poetry to establish a relationship between man and nature by showing how nature can console, teach and impact choices made by mankind. In ‘mending wall’ the implication is for nature to teach man, when nature damages the wall the two neighbors are brought together.
 Frost had a love-hate relationship with Mother Nature. In his personal life, he reveled in the simple joys of farming and being in touch with the earth. As a reflective of his personal life, he saw nature as beautiful and full of hope, yet also random and chaotic. Here are some quotes about nature;
“In all thing of nature there is something of the marvelous” –Aristotle
“Whenever I have found myself stuck in the ways I relate to thing, I return to nature. It is my principal teacher.” –Wynn Bullock.
Many literary writers gave so much importance to nature. In above quotes nature lessons in our life. Frost also talked about nature as a teacher, he said that man cannot ignore nature. Nature is homogeneous. The Sanskrit word for nature is prakriti.  
If we talk about relationship between man and nature, than nature makes man, to be in harmony with nature means stagnation. Mankind has to depend on nature for his food, shelter, clothing and other necessities, to be able to survive.
Most of Robert Frost’s poetry contains images and metaphors from nature, but even Frost once said of himself that; he is not a “nature poet”. He says in almost all of his poems there is “a man”. It seems Frost likes to use nature as the avenue to compare human struggles with a force that is constant.
Frost wrote in the 20th century- “Modern Literature” – his use of nature is his attempt to take something familiar and traditional, but to use it as a point of comparison for complex human emotions.
Frost synthesizes the human and the nature through language, imagination and metaphor. Frost uses a realistic technique in poems; art mirrors reality. In his collections we are shown reflection of nature, he focuses on the dramatic struggles that occur within the natural world, if it is conflict of charging seasons. (As in ‘After Apple-pacific’) or the destructive side of nature (as in ‘Once by the pacific’).
For frost, Nature is not simply a back ground for poetry, but rather a central character in his works.
Conclusion:- In frost’s familiarity with his views about nature, plays a more crucial role than information about his life, readers should appreciate the role of nature in his work.
Frost’s nature poetry is so excellent and characteristic of his poetry it must be given a prominent place in any account of his art. What he finds in nature is sensuous pleasure; he is also sensitive to the earth’s fertility and man’s relationship to the soil.
Critic M.L. Rosenthal says that; Frost’s pastoral quality, his ‘Lyrical and pastoral quality realistic repossession of the rural and nature things’ is the staple of his reputation. He is aware about the ultimate separateness, distinction of nature and man.
He is often compared with Emily Dickenson and Ralph Waldo Emerson. His images, woods, stars, houses, brooks are usually taken from everyday life. It shows his down to earth nature. Frost’s poems show deep appreciation of natural world and sensibility and because of that readers are easy to follow the poet into deeper truths without being burned with pedantry.
Frost was considered a kind of unofficial poet laureate of the US.
He learns so many things from nature and life and this statement proves that what he feels about nature;
“In three words I can sum up everything I have learned about life; that it goes on..”   - Robert Frost






The Birthday Party as comedy of menace



Name: Drashti V. Dave
Assignment topic: The Birthday Party as comedy of menace.
 Submitted to: Smt. S. B. Gardi Department of English
Maharaja Krisnkumarsinhji Bhavnagar University
Paper no: 9 – The Modernist Literature
Roll no: 06               Year: 2014
Sem: 3                      M.A. part-2

The Birthday Party as comedy of menace


Introduction about of the play:  The Birthday Party (1957) is the second full-length play by Harold Pinter and one of Pinter’s best-known and most frequently performed plays. The Birthday Party has been described by Irving Wardle and later critics as a “Comedy of Menace” and by Martin Esslin as an example of the “Theatre of the Absurd” It also includes such features as the fluidity and ambiguity of time, place and identity and the disintegration of language.
About Harold Pinter and his writing style:  He has presented the characteristics of the Absurd theatre in the background of the English ethos. The essence of the European Absurd theatre finds a new dimension in the plays of Pinter. He has shown the inherent drawbacks and tension in the social life of today. His dramatic style and techniques have certainly given a novel direc­tion to the drama today. The theatre with which are associated Samuel Beckett, Edward Albee, Jean Genet and Harold Pinter, the stage is invariably occupied by a few characters and each one of them expresses his ideas vehemently. The modern stage has taken many turns the main being the Poetic theatre, the Angry theatre and the Absurd theatre.





Pinter has maintained that his plays are not intricate and are easy to grasp. He has denied the presence of any allegorical mean­ing in his plays. Brevity is the hallmark of Pinter’s dialogue which naturally gives rise to many shades of meaning. The reader of Pinter’s plays cannot always arrive at the exact meaning of the cryptic sentences, and one can draw many alternative ideas from them. Pinter’s plays have a suggestive power which is missing in the works of many contemporary dramatists. Following the traditions of the Absurd theatre Pinter has debunked the excessive stress on language and logic.
Pinter’s famous play The Birthday Party shows the attempts of Stanley to evade all the connections of his past life and begin a new life. But Stanley does not succeed in this attempt and he is literally dragged away by his erstwhile partners from whom he tried to escape. Stanley loses his will-power and becomes a pathetic figure, an embodiment of the anxiety and fear felt by the individual in the modern world. (haroldpinterand the absurdtheatre)

What is Comedy of Menace? Literal meaning of menace means person or thing likely to cause serious harm. Here we deeply understand that what is the meaning of comedy of menace and how it is related with the play.
Menace (a threat or the act of threatening)
A ‘menace’ is something which threatens to cause harm, evil or injury; which doesn’t seem like a logical idea to fit with comedy.
Violence and menace are mostly below the surface of the play. Mick moves swiftly and silently and is an unpredictable character.
The playwright’s objective in mixing comedy & the threat of menace is to produce certain effects (like set up dramatic tension or make the audience think a character is a weasel because they are acting nice or funny, but planning to do something evil) or to convey certain social or political ideas  to the audience. (eliteratysociety.com, 2011)
The phrase comedy of menace as a standalone description inspires both positive and negative feelings. Title “comedy of menace” immediately brings contradictions to mind because comedy is generally something that makes people laugh. The word menace implies something threatening; this phrase involves laughing at an ominous situation.
Comedy of menace is the body of plays written by David Campton, Nigel Dennis, N.F. Simpson and Harold Pinter.
The term was coined by drama critic Irving Wardle; who borrowed it from the subtitle of Campton’s play: The Lunatic View: A Comedy of Menace, in reviewing Pinter’s and Campton’s plays in Encore in 1958.
Irving Wardle used ‘comedy of menace’ in a review of several of Pinter’s work.
Comedy of Menace and the play:  





Pinter’s comedies of menace have a rather simplistic setting he might focus on one or two powerful image and usually are set in just one room The Birthday Party is one of them.
A powerful force that isn’t specifically defined to the audience threatens characters in the play. The dramatist exploits the kind of menace as a source of comedy. Harold Pinter exploited the positions of the kind of situation in his early plays like; “The Room”, “The Birthday Party”, and “A Slight Ache” where both the character and the audience face an atmosphere apparently funny but actually having suggestiveness of some impending threat from outside.
Pinter himself explained the situation thus; “more often than not the search only seems to be funny- the man in question is actually fighting a battle for his life”. He also said; “Everything is funny until the horror of the human situation rises to the surface! Life is funny because it is based on illusions and self-deceptions like Stanley’s dream of a world tour s a pianist, because it is built out of pretence”.
Some plays are able to successfully mingle; drama with comedy. One specific example from The Birthday Party is a character joking around about being in a menacing situation while cleaning his gun to deal with the threat.
Pinter himself has been quoted as saying that he is never been able to write a happy play and that situation can be both true and false.
However as The Birthday Party shows it is quite possible for a playwright to create both humor and menace in the same play, and even at a same time in order to produce certain effects and to transmit ideas to the audience.
Comedy is present in The Birthday Party from the very first scene; it is a way of gently introducing the audience to the world which Pinter is trying to create the humor is quite suitable at first for example the exchange between Petey and Meg about whether Stanley is up or not plays on the words up and down.
Meg: Is Stanley up yet?
Petey: I don’t know. Is he?
Meg: I don’t know. I haven’t seen him down
Petey: Well then he can’t be up
Meg: Haven’t you seen him down?
(Conversation between Meg and Stanley)






This type of dialogue creates humor at situation. Although the repetitions in this short exchange will not make the audience burst out with laughter they can make them smile and the humor also lulls them into a sense of comfort.
Pinter’s absurdist style has been called comedy of menace, some productions of his work concentrate primarily on the menace.
Comedy of menace in relation to the dramatic content of the play:
The comedy of menace – is a tragedy with a number of comic elements. Some elements of comedy of menace; it is a comedy which also produces an overwhelming tragic effect.
Throughout the play we are kept amused and yet throughout the play we find over selves also on the brink of terror. We feel uneasy all the time even when we are laughing or smiling with amusement. That all things or elements which we feel are the effect of comedy of menace.
The menace evolves from actual violence in the play or from an underlying sense of violence throughout the play. It may develop from a feeling of uncertain and insecurity.
This feeling of menace establishes a strong connection between character’s predicament and audience’s personal anxieties.
The atmosphere of menace: It also created by Pinter’s ability to drop suddenly from a high comic level into deep seriousness. By this technique the audience is made aware that the comedy is only at surface layer. The sudden outbreaks of violence (verbal/physical?) in the play confirm this and leave the audience unsure of what will come next.
There are so many questions arise in mind while reading of the play but there is no certain answer of this. May be because of that Pinter’s own comment like this; “more often than not the speech only seems to be funny- the man in question is actually fighting a battle for his life.”
While we are talking about atmosphere there is some kind of fear in the play but that – fear for what? – by whom? But this type of question is remaining unanswered. Just as Stanley or Meg is the main vehicle for comedy in the play; so one more question arises that is he the main vehicle for the presentation of fear? Or is any other character frightened?
Answer of this question is yes because tone of the play is tragic or fearful but fear of what? It isn’t clear here. All the characters are suffering from the fear of unknown, may be possible that characters are laugh to forget their fear; they live in a past or avoid seeing in mirror because of fear. Means some unknowingly fear is here and that is the atmosphere of menace.
(Conversation between Goldberg- McCann and Stanley represent menacing effect)





The room or house represents security from the outside world but sadly it is impossible to sustain. The menace in the form of Goldberg and McCann represents a hostile outside world;, they are the exception to the rule where life is normal and pleasant outside. The general setting of the play is naturalistic and mundane, involving no menace. However on of Pinter’s greatest skill is his ability to make an apparently normal and trivial object like a toy drum, appear strange and threatening.
In the plays of Pinter the atmosphere is charged with fear and threat to the natural harmony of life. Though Pinter depends on the form of comedy than that of tragedy, this does not decrease the hidden menace against the characters who want to escape from the forces of evil. Pinter likes to show the inevitable contradic­tions faced by people in today’s world. The tentacles of evil forces drag the individual into the mire of corruption and nefarious acti­vities. Pinter’s plays have been rightly called the comedies of menace. (haroldpinterand the absurdtheatre)
Pinter can summon forth an atmosphere of menace from ordinary everyday objects and events and one way in which this is done by combining two apparently opposed moods, such as terror and amusement. 
Stanley is destroyed by ‘a torrent of words’ but mingled in with the serious accusations so Birthday Party is for both freighting and funny. For example: Stanley’s behaviour during the game- funny but terrifying because the audience is aware that much more is at stakes than appears on the surface. This is one source of menace, namely the audience’s awareness that trivial actions are often concealing thoughts and events of much larger significance. It may be that the audience feels a sense of guilt at their own laughter.
However Pinter makes sure that some things like the threatening ambience is leased by the use of humor. Pinter also makes sure that menacing atmosphere is elevated at times which actually emphasize how strong this atmosphere is. Whole length of the play was filled with menacing atmosphere we would know that Stanley will lose the power struggle from the beginning. The humor also brings a certain level of normality the menacing atmosphere can increase slowly and it is again creating more suspense. Here Pinter says that he completely agree the description of the Birthday Party as a Comedy of Menace. While comedy and menace both appear separately in the play it is together that they affect the audience most.
The association two seemingly in the play it is together that one play allows the audience to realize some of Pinter’s preoccupations conquering the inadequacy of language but also its power. As well as, the fact that we can associate these two terms; finding something menacing yet humorous at the same time could also be a way for Pinter to show the paradoxical nature of human beings. 
Another technique that Pinter uses to create an atmosphere of menace to cast doubt on almost everything in the play. The play nature of reality here is confused the audience no longer knows what is true or what is not true and out of this comes an atmosphere of mystery and uncertainty.
Conclusion: Thus to conclude we may say that absurdity of the play which is represents through menacing effect has its own symbolic significance. It tries to explain the human predicament in this indifferent and hostile world. Means Pinter shows us reality of life, one of the major points of view about the play is;
Meaninglessness and nothingness of human existence.
Life under constant shadow of fear and menace.
These are similarity between both the plays which are very famous in modern time; one is Waiting for Godot and another Birthday Party because they both are very much related or depended on human life. In Waiting for Godot Beckett often reduced character, plot and dialogue to a minimum in an effort to highlight fundamental question of human existence. The same characteristic in Birthday Party as well.
Because it is also unpleasant truth about human existence. At the end of the play in Act-3, Petey is tongue-tied and silent his emotions and thoughts remain unexpressed.
Pinter says: “Everything is funny until the horror of the human situation rises to the surface! Life is funny because it is based on illusions and self-deceptions like Stanley’s dream of a world tour as a pianist, because it is built out of pretence. In our present day world everything is uncertain there is no fixed point and we are surrounded by the unknown.”
This unknown occurs in many plays, there is no kind of horror about and I think that this horror and absurdity go together. (From his interview: Wikipedia)
Pinter’s statement also shows hostile reality of life. One more thing is that here we are shown how nothingness is important for human predicament. “Nothing” means “Something” it is the main base of the play. Pinter has delicately deployed the theatre of absurd and his idiosyncratic theatre of comedy of menace so that he could forward solutions for the dominating existential problems of man entrapped in his era. Pinter was a leader in the theatre of menace.